Explicit Aquarium & Heart

EXPLICIT AQUARIUM & HEART
PIERO HELICZER & the dead language press
with 
Calla Henkel & Max Pitegoff
Rosa Joly
Justine Lai

Jack Smith

28.06 – 21.07.2024

Installation view

Advertisement for Piero Heliczer – The Soap Opera, 1967

Colleen Z Burke, Portrait of Piero Heliczer, inscribe by him, April Fools Day, ink pen, 1988

The Warhol Link, Advertisement , Amsterdam, circa 1990

Calla Henkel & Max Pitegoff – Paradise Jukebox, 2022, oil on canvas, courtesy of Galerie Isabella Bortolozzi, Berlin

Jack Smith/ NYC filmmaking

Piero Heliczer – Flyers, invitation cards, letters, miscellaneous, 1958-1991

Piero Heliczer and the Dead Language Press, 1958 – 1971

Installation view, Calla Henkel & Max Pitegoff – Paradise, 2022, Piero Heliczer, Venus in Furs, 1965

Calla Henkel & Max Pitegoff – Paradise, 2022, courtesy of Galerie Isabella Bortolozzi, Berlin

Piero Heliczer – Venus in Furs, 1965, courtesy of the Eye Museum Amsterdam and the Piero Heliczer Estate.

Installation view – Justine Lai, Calla Henkel & Max Pitegoff

Installation view – Rosa Joly, Calla Henkel & Max Pitegoff

Rosa Joly – Auf dem Zahnfleisch, 2023

 

Photos: Nick Ash

 

Explicit Aquarium & Heart

 

Artist, poet, publisher, actor, and filmmaker, Piero Heliczer (1937-1993) lived a nomadic life between Paris, Amsterdam, and New York before settling in France. A figure on the fringes,
he is central to the history of the American underground and the international counterculture of
the 1960s and 1970s. In the late 1950s in Paris, he founded The Dead Language Press with musician Angus MacLise, publishing his own works as well as those of Beat Generation poets and writers. After a stint in England, where he made his first film with filmmaker Jeff Keen (The Autumn Feast, 1961), he moved to New York. There, he befriended Jonas Mekas, Andy Warhol, and Jack Smith, whose artist book, The Beautiful Book (1962), he published—a prelude to the making of Flaming Creatures (1963), in which he appears and which he edited, and Couch (Andy Warhol, 1964). He also collaborated with Tony Conrad, Gerard Malanga, Mario Montez, Barbara Rubin, among others. Cinema was one of the ways Piero Heliczer captured an intense yet fleeting presence in the world, blending film diary, performance, and mythological themes.

Heliczer co-founded The Paris Filmmakers Cooperative with Patti Lee Chenis, Pamela Padyk, and Barbara Rubin, which he described in 1971 as a «non-profit organization devoted to
the highest ideals of film creation, without discrimination based on race, color, creed, sex, birth, nationality, or artistic competence.» The Paris Filmmakers Cooperative gained momentum in the late 1960s by acquiring film copies from filmmakers Heliczer had mostly met in New York. Screenings were organized in France, the United States, Germany, Austria, Italy, and more, often accompanied by poetry readings, concerts, or performances. In 1965, Piero Heliczer made the film Venus in
Furs with The Velvet Underground, during the shooting of which a CBS crew filmed what would be the band’s first television appearance.

For the occasion of this presentation of Piero Heliczer’s work in Berlin, a selection was made from a private collection built over time by Sophie Vinet, the Director of Les Bains Douches, an art center located in Alençon, France. In Scheusal’s first room, flyers, books, posters, and other printed objects are gathered in three vitrines and hung on the walls, along with a PARADISE painting by Max Pitegoff and Calla Henkel. In the second room are shown four films, including Venus in Furs, a film made in 16mm by Heliczer in 1965. As an attempt to create an echo between different spaces and times, Explicit Aquarium & Heart brings together artists whose works resonate with Piero Heliczer’s elliptical and collective thinking.